Eddie & The Cruisers is a pedestrian movie in retrospect despite its cast of up-and-comers, namely Joe Pantoliano, Ellen Barkin, and Tom Berenger. However, this particular 12 year old was excited as a slick teaser trailer from about a year prior had my interest piqued. The story as it was sold in the trailer seemed compelling. It felt as though it had that urban legend air of possibility, possessed decent direction and cinematography, and it featured one hell of a killer soundtrack.
The movie also references legendary French poet Arthur Rimbaud and his stellar work. In the story, Eddie Wilson, charismatic lead singer of the titular rock and roll outfit Eddie & The Cruisers, is obsessed with Rimbaud's work to the point of naming his upcoming final album after a collection of Rimbaud's poetry, "A Season in Hell". He even pulls off a mirror-image of Rimbaud's real-life disappearing act.
I won't lie. As a kid, I was a huge fan of the soundtrack, became an avid fan of the actor who played Wilson, Michael Pare (who has long since derailed into a career of low-budgetry after a fierce start that also included The Philadelphia Experiment and the remarkable Streets of Fire) and later in life, the works of Arthur Rimbaud.
A handful of years back I was doing some sniffing around into Rimbaud's history and it was the first time I actually saw a photo of the poet. Here he is, next to Pare.
Though Rimbaud's work is mentioned in the film, nowhere does the photo come up, so imagine my surprise at the fact that (at least in this photo) Michael Pare is a doppelganger for the long-dead Rimbaud. Look up the actor anywhere online from when he was a youth and the resemblance is really quite amazing.
So, the question is. What came first, the chicken or the egg?
Eddie & The Cruisers is based on a book by PF Kluge, and in the novel, Wilson's muse is apparently Walt Whitman. It has been mused upon that due to the Eddie Wilson character's dying in the mid 60's, a real-life popular music influence couldn't work. Director Martin Davidson wanted to have Wilson's hero be someone kindred in spirit to the late Jim Morrison instead of Whitman. Enter Arthur Rimbaud. (reference here)
Where in the process of the script's development was it decided to go with Rimbaud? Was Pare cast because he looks like Rimbaud? If so, why isn't this eerie connection utilized to what could have been incredible effect? Because the ball was dropped in a major way if the writers were indeed aware of the incredible resemblance...
As it stands, it would indeed be one (Season in) hell of a coincidence.
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