Sunday, October 4, 2026

SAMHAIN PROJECT, SEASON 6: ALL HAIL THE POPCORN KING

 


SEASON 6

Frani and I have had a good fortune of seeing Joe R. Lansdale speak a couple of times. The Texas born, mojo champion genius horror/crime/drama storyteller has been doing it since the late 70s and doing it with edgy style and wicked panache. Hearing him speak just sealed the deal of how special he actually is. A hard-core old-school liberal, who himself is the basis for the character Hap in his long running Hap & Leonard series, he walks the walk.  Also a martial arts expert that teaches at a very high level in his hometown of Nacogdoches, Texas; he is to be feared.

 

That’s all spelled out here in All Hail the Popcorn King, a documentary by Hansi Oppenheimer that is as down-home as the author himself. A lot of footage is garnered from speaking conversationally, and on-the-go with Lansdale himself.  Voice interviews from many others, like Bruce Campbell, Joe Hill and more are here.  It’s heartwarming to hear his children and other family members speak of the loving personality that is Joe Lansdale as well. They’re not ego stroking, it’s all very earthy and real. 

I was a GoFundMe contributor to this film, full disclosure, but really that only added to my enjoyment of it. I felt a little pride at this little engine that could. At 55 minutes, I would’ve liked a little bit more time to spend with it, but overall it’s a heck of a piece of work and deserves to be placed at the top of the the list of docs on American writers.






Saturday, October 3, 2026

SAMHAIN PROJECT, SEASON 6: NORTH AMERICAN CRYPTID MUSEUM

THE NORTH AMERICAN CRYPTID MUSEUM, PLANO,TX.

Ever since I saw the trailer for the movie Sasquatch, and saw the episode of In Search Of... that I documented here, I've been a believer.  In Bigfoot.  Many have considered me a doof for doing so, but I figure if they believe in demons and boogeymen, I'm safe in my faith in a mysterious woodland being that happens to be completely undocumented.  

The North American Cryptid Museum just happens to be in the town I live in, Plano TX.  Frani and I decided to check it out today, and it was actually pretty impressive.  Attached in the building that houses the popular haunted attraction known as Dark Hour, it was pretty easy to find as well.  The "Ranger" who was our tour guide was funny, wise, knowledgeable and came at the museum's displays from not just a lore angle, but a fairly scientific one as well.  I think The North American Cryptid Museum would be appreciated by followers of Loren Coleman as well as Sid & Marty Krofft. 

It's wide ranging and pretty comprehensive.  Examples of cryptids are in abundance and well-detailed.  Not just by the fantastic designs and craftsmanship executing them, but in the visual and written examples of corroboration.  There's not just news videos rolling alongside both the towering and tiny cryptids on display, but tons of written media documentation underlining the eyewitness accounts dating back in many cases to the 1800's or even earlier.  What's really cool is the examples of very familiar-to-me cryptids, like the Hodag, and the infamous Beast of Bray Road.  The latter of which's display has a nice shout-out to the late great journalist Linda Godfried, who wrote the preeminent text on
 the matter.

Our guide's anecdotes of encounters mixed nicely with matter-of-fact accounts were often funny as well as chilling.  He pointed out that Bigfoot has been witnessed in every state except Hawaii, and that every state has examples of a cryptid. License plates nicely accent the many examples, as well as displays that textualize details that are both informative and creepy.  Some language is nicely handled by covering words and names that may be culturally insensitive if shared aloud, and I respect the hell out of that.  There's depth here that I didn't expect, and once I found that the whole museum is really a "labour of love" by the Dark Hour owner, it wasn't hard to see why that angle was taken. 

This was a blast of a thing to do for so-called Spooky Season, but really, for everyone, this is something that can be taken in year round.  And with the constant updating and fun additions like the Seattle Raccoon sensation, Jimothy, it wouldn't be repetitive to pop back in more than once.  I highly recommend The North American Cryptid Museum, and not just for Bigfoot aficionados like myself, but the civilian as well. 


Friday, October 2, 2026

THE SAMHAIN PROJECT, SEASON 6: TALES FROM THE DARKSIDE: THE MOVIE

 

SEASON 6


I've written before about they syndicated 80's anthology series known as Tales from the Darkside.   It made it's way to the big screen in 1990 in the form of what Tom Savini said should have actually been Creepshow 3, and not this apparent bullschtein below.  I've not seen it.  Don't plan to. 


In Tales, there's great appearances by big names who weren't quite big yet.  Folks like Steve Buscemi, Christian Slater, and Julianne Moore, all game and turning in good work.  There are fun turns by Deborah Harry, David Johannsen, and Robert "I Can't Stop My Leg" Klein.  Great to see Klein here, as he's one of the comedians that I always forget was a centerpiece to me falling in love with standup in the early 80's.  In the latter segment, he plays James Remar's somewhat wishy-washy agent in the most compelling short of the three parts of this anthology. 

Lot 249 is interesting enough as Slater and Buscemi seem to alternate between being protagonist and antagonist.  Which are they in the long run?  I haven't decided yet.  Julianne Moore plays against what would be a sort of type for her in the future, and pulls it off nicely.  I love a good Mummy story, and this one's pretty solid, and very gruesome. 

 It is easy to forget how good Christian Slater's early career was.  From Gleaming the Cube to Pump Up the Volume, to Kuffs.  I still look back on those flicks every once in a while.  It's neat to see a young pre-Reservoir Dogs Buscemi here.  His role here is so different from the thuggery he displayed later, or the goofiness he put out to the world in multiple Adam Sandler movies.  Let's not forget the man directed the oft-forgotten and sadly under-appreciated Trees Lounge. 

The George Romero scripted Stephen King segment, The Cat From Hell is pretty slick.  It brings us one shitheel who turns to another for removal of a revenge-minded feline.  It's darker and funnier than it sounds. I mentioned to Frani during last night's viewing that David Johannsen is pretty amazing.  Not just here, but overall.  To go from the lead singer of The New York Dolls, to Buster Poindexter, to great bombastic performances like the cab-driver ghost in Scrooged, to his pro-style hitter here, is pretty telling of his talent.  I have his solo debut on vinyl, and its one of my favorite records.  

The last segment may be the best.  It's certainly the most compelling, moving and thought-provoking. Personal favorite James Remar plays a bit against his tough-guy type.  His sad-eyed performance as a down-on-his-luck visual artist dealing with the worst and the best night of his life is as intense as the evening in question itself.  Its a night that creates decisions for our hero, as his life is swept up both by a dark supernatural being, and by Rae Dawn Chong.  

Tales has great effects work by the now legendary KNB effects group, in concert with FX hero Dick Smith.  From cringe-inducing gore work to creepy monstrosities, their skills run the gamut, and really, this movie itself is a great audition tape for practical effects work. 

The film has a lot of fun, a little grue, and a heaping helping of the authorship of Michael McDowell, George Romero, and Stephen King.  Director and George Romero vet John Harrison moves it along efficiently and ties the whole package together with a nasty little bow that is the Hansel and Gretel wrap-around story. 

This is the epitome of Halloween viewing, and I think despite the names involved, it is an underrated example. 

Thursday, October 1, 2026

SAMHAIN PROJECT SEASON 6: WARNING SIGN

 SEASON 6


Well, it's that time of year again!

The Samhain Project has returned.  My musings, reviews, rumblings, and belching about all things Autumnal and Spookyish.   And I'm all pumpkin-spiced about it.  Let's get to it!

28 Days Later scared the bargoovians out of a lot of people when Danny Boyle unleashed it upon the woild.  Until recently, I thought that the concept of "the rage virus" was birthed there.  

I was wrong. 

 

 Frani and I refreshed the memory banks on a little movie from 1985 that I watched with my Mom when we lived in Waco, TX.   That's about all I remembered about it, other than thinking it was solid enough.  Being that I'm a pretty big fan of Sam Waterston, he of The Glass Menagerie fame,  who went on to play Hang 'em High Jack McCoy on Law & Order, as well as genius roles on Grace & Frankie & The Newsroom, I jumped back in on this little curio. 

It seems an agricultural business working on GMOs (and apparently some other shady shit) enjoys a test tube spill and before you know it, despite the best efforts of Kathleen Quinlan, all hell has broken loose.  People get bubbly and violent and start attacking folks in hordes.  Of course, sheriff Sam Waterston and government ace Yaphet Kotto show up and do some stuff.  Waterston pulls his weight nicely, playing his lead less as an action stud than a really worried husband.  He displays some nifty moments of apprehension and stumbling effort that you might not have seen had Chuck Norris or Sylvester Stallone been here in the role. 

Unlike 28 Days Later, the madness stays contained in a building, yet it works for the most part for this flick.  It doesn't feature a ton of gore, but the attacks are nonetheless very violent and there is no doubting the bad intent of our infected dudes here.  Craig Safan contributes a pretty cool synth score that is actually a little bit more effective than Hal Barwood's direction.  It's a bit vanilla, but he gets pretty good performances from a solid cast, particulary Quinlan. She's definitely the damsel in distress here. Unlike a lot of female characters in films of this time period, (outside the slasher movie Final Girls), she's as tough as she is human.

Nice supporters here, but Frank Darabont fave Jeffrey DeMunn steals the show despite some really difficult-to-believe scientific maneuvering that gets leaned upon in the final act. 

Sadly, overall, Warning Sign is not as scary or atmospheric as Boyle's movie, but definitely worth spending some Halloween time with. 


And for reals, George Romero actually gave us the debut of the rage virus, (as he did with the modern zombie in Night of the Living Dead) in his early 70s classic, The Crazies.  A film Aidan and I saw the remake of on its opening weekend, one of the best of the early 2000's horror remakes.  It stars Justified and Deadwood's Timothy Olyphant, whose performance is tip-top. 

I'd watch Olyphant in a documentary about toilet brushes, to be honest.


Saturday, September 12, 2026

ANARCHY IN A RED STATE: SEX PISTOLS AT THE LONGHORN BALLROOM


Last night, Frani and I went and saw The Sex Pistols with Frank Carter at the Longhorn Ballroom in Dallas.  The last time The Pistols were there, (circa 1978) the show featured a disastrous ending that finished with John Lydon asking the crowd if they “ever felt like they’ve been cheated”. This was well documented in Julian Temple’s masterful documentary, The Filth & The Fury. 



In a touch of serendipity, Merle Haggard's son, Ben, is performing one night after The Pistols, just as his old man did in 1978, at the same venue.

September 11, 2026 brought a return of sorts. We showed up and watched original bassist and key songwriter Glen Matlock, guitarist and Lonely Boy author, Steve Jones, drummer Paul Cook, and “supplemental” lead vocalist Frank Carter take the stage and literally rip it up for a good hour plus. 

Jones sounded great, that Les Paul Bollocks tone in full lion’s roar,  Cook drums like he’s 25 years old, tight and smart, (percussion is a physical excursion at any age), and Glen Matlock knows and owns the material inside and out; as well he should, he wrote the shit. 

And Frank Carter policed the fucking stage. He's been there, and led the troops from beginning to end, the boys could not have picked a better lead vocalist for this incarnation of the band.  

Carter is an exceptional showman, a true punk rock athlete, singing “Pretty Vacant” from the pit without losing a note, showing respect to the ORIGINAL CORE Sex Pistols on his stage at every given opportunity, (even honoring them by distancing himself as he did so), shutting everything down and directing traffic when someone had either fallen ill or gotten injured down below, creating the first all ladies mosh pit, and gratefully thanking Dallas multiple times for waiting for The Pistols to return. (Their original appearance was canceled a year ago due to Jonesy breaking his wrist).

Johnny Rotten might be walking around the country right now, callously calling what’s touring as the Sex Pistols some sort of “karaoke“,  but he can eat a lit fart. How can you take seriously someone who once roared against “the fascist regime” of the royal family, that is now flying the MAGA flag?

Regardless, last night was legitimate punk rock;  If anybody out there has a chance to see this group, I recommend taking it in.  They're in Austin tonight and Houston tomorrow, folks. 

Last night's show resonated with us in a big way.

It’s nostalgia, but it’s new. 

It’s emotional, but they’ll make you laugh.  (Both vibes present in their cover of Sinatra’s “My Way”.  Which was mounds better than Sid’s).

It’s still anger, but it now carries with it some sense of hope.

Sunday, September 6, 2026

MY TEACHERS: JABBERWOCK & ROLL


 My 8th grade year, 1984-1985,  was spent at Kenosha's Washington Jr. High.  A building that now has gotten the knock down and rebuild treatment.  I suppose it was due in some way, as it was first constructed in 1920.  But still, that brick & mortar construction complete with neatly placed marble, and an early 80's addition that extended out into a vacant lot will be missed.  I will have to ask around if its twin building, McKinley Jr. High, is still in existence. 

Or was it Lance?  I think it was McKinley. 

Anyhoo.  In 1984-85, my English class (not grammar, but Lit in this case) was taught by Mrs. Bergquist.  I remember her to this day because she did this killer reading of Lewis Carrol's Jabberwocky, a genius piece from Through the Looking-glass, and what Alice Found There.  She read it with such enthusiasm and vigor.  She conjured a low throw-down to her voice that brought the words to magical life:

"Twas brillig, and the slithy toves

did gyre and gimble in the wabe"

It caught me off guard, pricked up me ears, and brought my attention to attention.  She finished the piece in the same enthusiasm, and did it incredible justice.  The other kids in my class were either irritated or laughing at her, but they obviously didn't get it.  I didn't care.  I thought it was amazing. 

I remember a day or two after, when a friend and I were gathering our Trapper Keepers and grocery-bag wrapped textbooks together, another kid gave his unfettered review of Mrs. Bergquist's reading.

"It's so stupid", he belched.  "It doesn't even make sense."  Then he began his classy impression of the work and performance:

"It was all goobly! and the jingly mobes

were gimblin' and gamblin' up my butt."

My friend and I of course erupted into laughter for a couple of reasons.

1.  The routine was admittedly hilarious.

2.  It was ridiculous.  He was doing exactly what he was mocking Carroll's piece for doing.  Creating nonsense words for the purpose of prose. 

Regardless, Mrs. Bergquist's selection also brought something out of my dusty past.  As a kid, we had these Walt Disney book and record items.  You know the ones.  You listen to the record and hear dialogue, narration, and music as you followed along in the book. 

 We had Peter & The Wolf, Bambi, Jungle Book, among others.   But the one that stuck out for me was Alice in Wonderland.  Terrific illustrations inside, including the one sparked by my English teacher's reading that day.  The Jabberwock himself.  With his pear-shaped Tweedledee & Tweedledum body shape and creepily flaming eyes.  This image was a memory Mrs. B. brought storming back.

That Jabberwocky reading is among the most strong, and definitely most positive moments that I remember happening during my time at Washington.  I know what you're thinking.  You're thinking "If that's the best you got, the rest of it must have been pretty grim." 

You wouldn't be wrong.  It’s scattered all over this blog.

As an addendum:  After my brief 16 month swing through Waco, TX, circa Fall of 1985 through January 1987, Tremper High was the school I attended upon my return to K-Town.   That's right.  The High School alma mater of one Mark Ruffalo.

Now, Tremper was intentional.  My parents gave me the option of which two Kenosha Unified School District High Schools I would wish to attend.  All of my siblings attended Bradford.  And most of the kids that I knew and who would possibly remember me would have gone there too.  But my bestie upon leaving Kenosha in October of 1985 was still my best friend thanks to letter-writing and phone calls. He was also a 10th grader at Tremper. So I made that my choice. 

Bad idea. 

He met me at the campus and shook my hand on a cold January day. He showed me what was what and where was there on the Tremper campus.  Then we headed back to his place to hang out and watch a little television. 

And I never heard from him again. 

He dodged me in the hallways, and never returned my calls.  Don't ask me why.  I have a couple theories, but it has been almost 40 years, I don’t dwell on it.  Anyway, on that day that we re-connected, I dropped into the office to talk to the staff.  While I was in there, I saw a familiar face.  None other than my favorite English teacher from Washington, Mrs. B!

That didn't go well either. 

Despite my enthusiastic introduction and subsequent discussion, she didn't remember me.  Even though at most, it had been two years since I saw her last and was under her tutelage.  I was truly disappointed.  I only attended Tremper one semester, as my folks and I picked up the tent by spring and were headed North. Luckily, Linda & Don, (mentors, both) allowed me to stay with them until June, so I didn't have to start up fresh again at another school with 7 weeks left in the school year.

I recently called Tremper.  For some reason, I had been unable to remember Mrs. Bergquist's name. I know I had it firmly in my mind a few months back but last week Friday when I intended to begin this odd trip down memory lane, it was gone.   

A very sweet individual named Amanda from the Tremper student services office went above and beyond helping me out.  She dug up the 1987-1988 yearbook and assisted with deducing the name.  Even if I weren't writing this piece, Amanda's assistance would have been therapeutic, because my former English teacher's name's dance upon the tip of my tongue was driving me to the brink of insanity. 

Now if I could only remember the name of the Tremper instructor who got me off the hook on 10th grade Algebra.




Saturday, September 5, 2026

THOSE QUIET MOMENTS: EAGLE RIVER?!!: MEMORIAL DAY WEEKEND, 1983


There's a family transition story that has a minor legendary flair to it.  When Ma and my stepdad (again, term used for differentiation alone) were first "a courtin'", as it were, they were leafing through some photo albums.  Their breezing of memories lit upon a sunblasted photo of me with a tiny little fish on a beginner rod that was taken in the late 70's.

Dad recognized the pier I was standing on in the Kodachrome snapshot and let my mom know the familiarity.

He'd been there as well.  As a matter of fact, he used to live up in that area and was close friends with the owner.  As were my folks. Kismet!  Sandy of Eagle River, WI knew both of the families very well that were about to become a dramatic Brady Bunch and nobody knew this. 

EAGLE RIVER?!

 

Well.  St. Germain to be more specific.  But then I wouldn't be able to tie Jon Cryer and Hot Shots into it.  A genius scene included at the top of this piece written by Wisconsin's own Jim Abrahams. 

Ma arranged for her to bring her new beau up to Eagle River for the "introduction" on Memorial Day Weekend, 1983.  Of course, I was 11, so I would have to come with my towhead and everything.  

Now I remember it being a chilly gray Memorial weekend in Wisconsin.  That can happen.  Many rainy Memorial Day weekends have their moments in my memories.  Cold and Damp arrived at many functions over the years, whether they were big family get togethers or camping trips.   It didn't stop the festivities, of course.  Like I said, this was Wisconsin.  Let the beer happen.  

And some cheese.

There was a night I was left with Sandy's teenage son while my parents hit a local "tavern".  Upper midwesterners know that term.  It's key language.  J showed me how he utilized nunchuku, his drum set (that I found out in retrospect that my parents almost bought for me), and he took me out to a bar and grill for burgers and fries.  I gotta say, and I mean it with all that is me, no place has better comfort food than an out of the way, on the verge of the woods, hole in the tree, rural Wisconsin pub. 

Towards the end of the evening, he decided to curl up in his room and watch the classic nuclear sub drama Gray Lady Down.  Not really interested at 11 in high tension military hardware dramas, I retreated to my constant companion, the comic book. 

Sometime in the middle of the night, very late, I heard a shriek from Sandy.  I was about to get out of bed to see what was going on in this nifty lakefront property in the wee hours of the morning.  It was about the time that my socks hit the carpet that I heard Sandy's trademark uproarious laughter.  Everything was alright.  I rubbed my eyes and rolled back into bed. 

Hours later, I had to use the facilities.  It was very early.  Pre-dawn.  I ambled down the steps, shuffled past the kitchen, turned the corner and headed toward the restroom just off of the living room.  It must have been the only non-bedroom john in the house, otherwise one wouldn't have needed to make that jaunt.  With my eyes half closed, I began to do what I came here to do, when something shuffled next to the toilet.  In the dim light, I couldn't tell what it was, and I was scared shitless. I stumbled backward into the sink, nearly urinating all over the place in the process. It struggled to stand and shuffled out toward me. 

A white-tail fawn. 

Everything was fine.  Sandy had a rep as a wildlife rehabilitator, and all that late night howling was her excitement at someone dropping off an orphaned whitetail deer baby.  She took him in, got him healthy, and I believe Henry, as he was named, became a regular on Sandy's gorgeous lakefront property.   As a sidenote, when we moved to 21st Street in Kenosha, it became evident the area was too small and confining for Ginger, the wonder dog, and my heart was broken as she was retired off to Sandy's place.  Where Ginger could run like she did all those years when we lived "out in the county".  She lived her best life with Sandy. 

I've got more to say about Ginger in the future.  She deserves much more than a series of supporting performance mentions.  I promise, I'll get there, girl.  You've earned that much.  It's just that I need to do right by you.   

Anyway, it was said Ginger and Henry became fast friends.  I wish I could have seen it.

There's not enough stories like that.